もし、色合いについて「輪郭周りが強すぎる」「乱れや歪みが出ている」と感じる場合にはこの設定スライダーを動かしてみてください。
ファーリーやケモノアートスタイルのファンの方々は、プロンプトの先頭に「fur dataset」というタグを付けることで、以前のファーリーモデルと同じようにプロンプトを使用できるようになりました！
Go ahead and take Catcher while in the Rye as an example. J.D. Salinger’s hero is Holden Caulfield, a seventeen-year-aged boarding college fall-out. Holden isn’t always likable — in fact, he normally alienates Other folks by judging superficial qualities extremely critically — but viewers are intrigued from the e book’s psychological insights into his character.
興味深い効果を生み出す新しいタグも追加されています。以下は完全なリストではありませんが、始めるのに十分な例を紹介します。
Literary fiction involves common guides: that is operates in any discipline that have been accepted as becoming exemplary or noteworthy. This consists of becoming detailed in a list of fantastic books.
These terms originated from historical Chinese classification of literature functions into "smaller talks" (tales of daily life and trivial matters) and "excellent talks" ("sacred" common works of excellent thinkers like Confucius). Basically, the ancient definition of "little talks" simply refers to trivial affairs, trivial specifics, and might be distinctive from the Western notion of novel.
最終的な生成がどれだけ洗練され、強調されるかについて、プロンプトガイダンスの値により調整されることがあります。ガイダンスの値を低くすると、より絵画的で幻想的かつソフトな表現になる一方で、ガイダンスの数値を高くすると、より詳細でシャープな表現になります。
キャラクタープロンプトにおけるアクションタグをより明確に指定するため、新しい特殊な記法を追加しました。複数のキャラクターが相互に関わり合う場合、アクションタグの記法を使用することで、「resource#」「target#」「mutual#」の接頭辞をつけることにより、そのアクションの主体と対象を指定できます。例えば、あるキャラクターが別のキャラクターを抱きしめる場合、抱きしめる側のキャラクターには「source#hug」タグを、抱きしめられる側のキャラクターには「goal#hug」タグを指定します。お互いに抱きしめ合う場合は、両方のキャラクターに「mutual#hug」タグを使用できます。
An abundance of literary fiction writers essentially specialise in twiddling with style tropes and devising by far the most inventive ideas. A person the latest illustration of fantasy-infused literary fiction is Susanna Clarke’s
idea fresh new relates to what has not missing its characteristics of newness including liveliness, Power, brightness.
The example of Shakespeare is really a reminder that the ability to build a fascinating plot, and even any plot whatsoever, is not a prerequisite of your imaginative author’s craft. At the bottom level of fiction, plot have to have be no more than a string of stock devices for arousing stock responses of issue and excitement in the reader. The reader’s fascination could be captured at the outset because of the promise of conflicts or mysteries or frustrations that could sooner or later be fixed, and he will gladly—so sturdy is his want to be moved or entertained—suspend criticism of even by far the most trite modes of resolution.
Guides that belong to some genre will have to follow the policies of that unique drama. A sci-fi story need to consist of Sophisticated technological innovation. Youthful Grownup will have to deal with a coming of age Tale and infrequently employs a protagonist aged concerning twelve to 18. Romances have to literary fiction feature a adore Tale.
An illustration of this style is Samuel Richardson's Pamela, or Advantage Rewarded (1740), composed "to cultivate the Principles of Virtue and Religion during the Minds from the Youth of Both equally Sexes", which concentrates on a possible sufferer, a heroine that has all the modern virtues and who's vulnerable for the reason that her minimal social standing and her occupation as servant of a libertine who falls in love with her. She, nonetheless, finishes in reforming her antagonist.[citation essential]
Sometimes, the act of looking at itself is a component of the story, building the reader self-aware of the things they’re bringing to the text. David Foster Wallace’s